Wednesday, June 19, 2013

An Interview With Mark Pryor, Author of the Hugo Marston Series


I just read "The Crypt Thief" by Mark Pryor and thought readers would be interested in this fascinating series, a crime series starring a gentlemanly protagonist and set in Paris. Below is an interview with district attorney, Texas Brit and author Mark Pryor.

Hi Mark, Welcome to Murder Lab! Please tell our readers a little bit about yourself.

Hi, and thanks so much for having me. Let's see. The first thing people usually notice about me is that I'm a foreigner. English, to be precise, which sometimes catches people off-guard if they're not expecting it, and I'm wearing my cowboy boots. I moved to the States about twenty years ago, living in North Carolina (where my mum was born and raised) for ten years, and now I've been in Texas about ten years.

I used to be a newspaper reporter, in England, covering the crime beat for a local paper. Not as exciting a beat as it would be over here - in my last year there, not a single murder!  I did some freelance writing when I got to the US, and then went back to school to get my law degree.

I currently work as a prosecutor for the Travis County DA's office, which is in Austin.

I have just finished reading your latest novel, The Crypt Thief, and it was a blast. Please give our readers a brief introduction to this novel.

I am trying to highlight one or two aspect of Paris with each novel, either a geographic location or a time period. Grab them and have fun with them. The Crypt Thief kicks off in Paris's most famous cemetery, a wonderful place called Pere Lachaise. A mysterious ne'er-do-well creeps into the cemetery and runs across two tourists, and because they're interfering with his plan he kills them. I know, bodies in a cemetery, outrageous isn't it?!  Anyway, one of them was due to work at the US Embassy, which raises a red flag.

My hero, Hugo Marston is head of security at the embassy so he starts to investigate, and finds himself hot on the trail of a very, very nasty man.  And that's all very well, until the nasty little man decides Hugo needs to be one of his victims....

Your protagonist, Hugo Marston, is a fun character. Tell our readers a little bit about Hugo.

Thank you, I try to make him interesting. When I came up with the idea for Hugo, I wanted to model him after certain people. One was my dad, a very honest and unjudgmental man, with great intelligence and a sense of humor. He's also based on several real-life profilers I've met, men who kind of sit back and watch the world unfurl around them with knowing looks on their faces.  Overall, and in terms of fictional heroes, I wanted Hugo to be somewhat old-fashioned. He's not your alcohol/drug/past tortured kind of main character.  Sure, he's having a hard time with finding a woman to fall in love with (and who'll fall in love with him) and he's a little hard to get to know, but in most ways he's a more old-fashioned kind of hero: handsome, brave, smart, funny, and very much a gentleman.

Beyond Hugo, The Crypt Thief is populated by an entire cast of fascinating characters, actually. Your dialogues are priceless and your villain, The Scarab, is exceptionally creepy. Where did this character come from? Care to comment on his namesake, the scarab beetle?

Sometimes with a character you just get to hit the 'Go' button and see what happens. There are several ways to handle the creation of a serial killer, and a common one these days is to have him seem like everyone else, blend in and make the reader wonder as to who he is. I went the other way because I wanted to give my reader's chills, make him a powerful and scary image in their minds. He's short, he's ugly, he's ruthless, but he's also clever and has a history that explains why he's the way he is. Hopefully, though, I've made him creepy enough so not many people will sympathize too much!

You did a beautiful job of juxtaposing the glamour of Paris, like the Moulin Rouge, with the cemeteries in the city and other spookier Parisian elements. What is your connection to Paris? Are all of your books set there?

I'm very lucky in that I traveled a lot with my family when I was young, and we all had a strong connection to France. In fact, my mum lives in the south (in the same village as the Scarab, actually) in the Pyrenees mountains.  I've been to Paris maybe a dozen times and just plain love it. It's such a walkable city, pretty much everything you'd want to do or see there is near the city center.  And because it was never destroyed in the Second World War (like so many great European cities were) it has the old architecture and buildings intact.  It has food, art, museums... everything you could want in a modern city.

And yes, the Hugo Marston series will be set in Paris, though I plan to start shifting Hugo around a little more.  In the third novel, THE BLOOD PROMISE, the action happens at two country homes either side of Paris, as well as in the city itself.  And I'm talking to my editor about setting the fourth book in London and the fifth in Barcelona, so Hugo's going to be traveling in the years to come.  Of course, that means I have to as well, which is a hardship I will try to bear as bravely as possible.

Of course, I now want to go back and read "The Bookseller." What can you tell me about this first Hugo Marston novel?

THE BOOKSELLER centers around Hugo's friendship with a man named Max, who runs a bookstall right beside the River Seine. One day, as Hugo watches, Max is kidnapped and taken away on a boat. Because the Paris police don't seem overly interested, and Hugo feels terrible for not being able to stop the kidnap, he sets out to investigate by himself. To do that, he has to delve in Max's background and he finds out that... well, I don't want to spoil any surprises, so let's just say that Max was hiding a very colorful past.

I see you have a third novel from this series on deck. What is the premise for The Blood Promise, and when do you expect this book to be available?

With THE BLOOD PROMISE, I'm going back style-wise to the tone of THE BOOKSELLER, more of a mystery than a thriller (though the distinction can be blurry).  The novel starts in late 1700s Paris, with a man packing up an old sailor's chest with some mysterious, unnamed goodies, including a letter signed with the old man's blood.

We then move back to modern times, when Hugo is tasked to protect a US politician on a visit to Paris. Things don't go smoothly, of course, beginning with an intruder in the senator's bedroom, a murder in a chateau east of Paris, and a connection between the two events (as well as the chest, which has turned up on Hugo's doorstep) that Hugo needs to figure out before more people start dying. Which, of course, they do...

How many Hugo Marston books do you intend to write? Is the trilogy the end of him, or will Hugo keep coming back?

Nothing is set in stone, but as I mentioned before, it looks like the series will be continuing for two or three more books at least. I'm excited about that because I love Hugo and his friends, and I really enjoy writing his stories.

Have you written, and will you write, novels that fall outside of this series? Care to comment?

I'm working on something right now, actually, it's still crime fiction but very different in tone.  More noir, I suppose you could say. It's set in Austin, where I live, and will bring into play the city's wonderful music scene. I don't have a home for it yet, of course, and my agent's not even seen it but it's fun to write because it's so different.

Please tell our readers anything else you would like them to know about you and your books.

Well, first I'd like to thank everyone for reading this far. I'd like people to know that I love to hear from readers, the good and the bad (although so far people have only written to say nice things) and I respond to everyone who emails me. I don't like to bug people with emails and mailing lists, so I'd suggest that if people are interested in keeping tabs on the series (reviews, new books etc) the best way is to 'like' my author page on Facebook (link below).  Other than that, just to say thanks again for having me!

Please provide any contact information you would like our readers to have and ordering information for your novels.

My website is: www.markpryorbooks.com
My true crime blog is: www.daconfidential.com
Twiter handle: @daconfidential
and Facebook Author page

Note from Kris: I have also added The Crypt Thief to our Books section. Check it out!

Tuesday, June 11, 2013

The Mother So-Cal Indie Bookstore List

In preparing to launch The Vesuvius Isotope, I have compiled a mother list of bookstores. This list is composed entirely of independent bookstores (hence, they might or might not accept self-published work, as opposed to a blanket "no.") My list focuses on Southern California from San Diego through Los Angeles.

To create a similar list for your own area, please visit a fabulous, interactive Indie Bookstore Finder. Please feel free to share your list with me, and I will post it here on Murder Lab. And please, please, let me know if you're doing a signing, and I'll tell our readers!

To generate my So Cal list, I clicked on every single one of those little cross symbols from the Indie Bookstore Finder, and I copied and pasted the info from the reference. Then I went to the bookstore's website (if there was one) and took a few notes, which are also displayed below. I have taken the liberty of eliminating a few of the stores that (in my opinion) will never carry a mystery or thriller. Please feel free to correct me if I'm wrong. Which isn't to say that I eliminated all such bookstores. The list is sorted by area.

Enjoy!

San Diego County

Clairemont and La Jolla

Comickaze Comics Books and more
5517 Clairemont Mesa Blvd
San Diego, California 92117
(858) 278-0371
http://www.comickaze.com
Graphic Novels, Manga and crossover prose material

Mysterious Galaxy San Diego
7051 Clairemont Mesa Boulevard
San Diego, California 92111
(858) 268-4747
http://www.mystgalaxy.com
Mystery, science fiction, fantasy, and horror. Frequent author events.

UCSD Bookstore
University of California San Diego
La Jolla, California 92093-0008
(858) 534-7323
http://www-bookstore.ucsd.edu
Finest selection of general, medical and technical book sections in San Diego

Groundwork Books
0323 UCSD New Student Center
La Jolla, California 92092
(858) 452-9625
http://groundwork.ucsd.edu/
Political collective

Warwick's
7812 Girard Avenue
La Jolla, California 92037-4230
(858) 454-0347
http://www.warwicks.com
Fiction, mysteries, history and biographies. Gift books on cooking, decorating, gardening & art.

Coronado, Downtown, Mission Valley

Bay Books
1029 Orange Avenue
Coronado, California 92118-3405
(619) 435-0070
http://www.baybookscoronado.com
Books of all kind including mystery, frequent author events, book clubs

Upstart Crow
835 C West Harbor Drive
San Diego, California 92101
(619) 232-4855
http://www.upstartcrowtrading.com/
Bookstore and coffeehouse. Frequent author events

Yellow Book Road
2690 Historic Decatur Rd
San Diego, California 92016
(619) 463-4900
http://www.yellowbookroad.com
Make your classroom rich with grade-level and reading level appropriate literature

Capt. Fitch's Mercantile
2627 San Diego Ave
San Diego, California 92110
(619) 298-3944
Books, replicas, nautical items, Blue/White China, writing sets, seals, teas

San Diego Museum of Art Museum Store
1450 EL Prado
San Diego, California 92112-2107
(619) 696-1971
http://www.sdmart.org
Most extensive collection of art related titles in San Diego County

The Grove
3010 Juniper St.
San Diego, California 92104
(619) 284-7684
Books, a knit shop, classes, and and ever changing variety of terrific stuff

5th Avenue Books
3838 Fifth Avenue
San Diego, California 92103
(619) 291-4660
http://www.fifthavenuebooks.com/
Broken web link, no description

Bluestocking Books & Bindery
3817 Fifth Avenue
San Diego, California 92103-3140
(619) 296-1424
http://www.bluestockingbooks.com
We order new and used books of all kinds

The Book Tree
3316 Adams Avenue
San Diego, California 92116
619 280-1263
http://www.thebooktree.com
Metaphysical, spiritual and controversial books, magic and alchemy

Del Mar, Encinitas, Carlsbad, and Vista

The Book Works
2670 Via de la Valle
Del Mar, California 92014-1982
(858) 755-3735
http://www.book-works.com
Literary fiction, non-fiction, gardening books, art & architecture

Ducky Waddle's Emporium
414 N. Coast Hwy. 101
Encinitas, California 92024
(760) 632-0488
http://www.duckywaddles.com
Art and design, metalworking, etc.

Farenheit 451 Books
325 Carlsbad Village Dr
Carlsbad, California 92008
(760) 720-3373

Book Place, Vista
1580 S. Melrose Dr. Ste 102
Vista, California 92081
760-599-8500
http://BookPlaceVista.com
Used books for trade

San Clemente and Laguna Beach

Village Book Exchange
99 Avenida Serra
San Clemente, California 92672
949-492-1114
http://downtownsanclemente.com
Book exchange with welcoming exchange policy

Mathom House Books, Inc.
83 Via Pico Plaza
San Clemente, California 92672
949-361-1633

Laguna Beach Books
1200 South Coast Highway
Laguna Beach, California 92651
(949) 494-4779
http://www.lagunabeachbooks.com
Books of all kinds, signings, events, book clubs

Del Cerro and La Mesa

SDSU Campus Bookstore
San Diego State University
San Diego, California 92182-0001
(619) 594-7541
http://www.aztecshops.com

Readers, Inc.
8219 La Mesa Blvd
La Mesa, California 91941-5215
(619) 461-1400

Book Place
6122 Lake Murray Blvd
La Mesa, California 91942
(619) 462-4200
http://bookplacesandiego.com
Used books for trade

Ramona and Borrego Springs

Unicorn Books and Gifts
738 Main Street
Ramona, California 92065
7607883700
http://www.unicornbooksandgifts.com
Books of all kinds, readings, frequent events

Borrego Desert Nature Center
652 Palm Canyon Drive
Borrego Springs, California 92004-0310
1-760-767-3098
http://www.abdnha.org
Nature and history books pertaining to the Anza-Borrego Desert region

Escondido, Fallbrook, Murietta

Paperback Book Exchange
153 E Grand Ave
Escondido, California 92025
(760) 746-6362
Book exchange; bring in good condition books and change them for half the store credit

Brandon Book Nook
129 East Hawthorn Street
Fallbrook, California 92028
(760) 731-2665

Eclectic Books
39520 Murrieta Hot Springs Rd Ste 218
Murrieta, California 92563-7714
(951) 591-0517

Orange County and Riverside County

Riverside

Downtowne Bookstore
3582 Main Street
Riverside, California 92501
(951) 682-1082 ‎

The Harvest Bookstore
6115 Arlington Avenue
Riverside, California 92504
951-351-6815
http://www.harvest.org
Nonprofit Christian bookstore that sells Bibles and other Christian books

DWPages (Book Sale)
470 McKinley St.
Corona, California 92879
(951) 270-0795

UCR Campus Store
900 University Ave East
Riverside, California 92521-0101
(951) 827-2665
http://www.ucrcampusstore.ucr.edu

Cellar Door Books
5225 Canyon Crest Dr. Suite 30 A/B
Riverside, California 92507
(951) 787-7807
Riverside’s independent bookstore for new books of all kinds

Bright Ideas Books
1520 N Waterman Ave
San Bernardino, California 92404-5111
(909) 888-3296
The only bookstore in San Bernadino

Palm Desert and Palm Springs

Ink Book Gathering
54385 N. Circle Dr.
Idyllwild, California 92549-3180
9515056575
http://INKBookGathering.com
A cool and quirky independent bookstore made for book lovers

Costa Mesa, Huntington Beach, Westminster, Irvine

UCI Bookstore
University of California, Irvine
Irvine, California 92697-1550
(949) 824-BOOK(2665)
http://www.book.uci.edu/

A Whale of a Tale Children’s Bookshop
4199 Campus Drive
Irvine, California 92612
(949) 854-8288
http://www.awhaleofatale.com
Children’s books

Martha’s Bookstore
308 1/2 Marine Avenue
Balboa Island, California 92662
(949) 673-7185
Enjoy a glass of chardonnay or tea from Republic of Tea while finding the perfect book or gift with the help of our knowledgeable staff.

Lido Village Books
3424 Via Oporto # 101
Newport Beach, California 92663-3941
(949) 673-2549
Independent bookstore

New & Recycled Romanced
147 Broadway
Costa Mesa, California 92627
(949) 645-0529
Romance genre

Book Off
2955 Harbor Blvd
Costa Mesa, California 92626
http://www.bookoff.co.jp
English and Japanese books, website is in Japanese

The Bookman HB/Bookman Too
19111 Beach Blvd.
Huntington Beach, California 92646
(714) 596-1999
http://www.bookmanhb.com
Broken web link

Mystery Ink
8907 Warner Ave
Huntington Beach, California 92647
(714) 743-6127

Anaheim, Santa Ana, Orange, Yorba Linda

BookTown USA
2090 So Euclid Street
Anaheim, California 92802
(714) 534-5038
Preowned and new books

Compass Books and Café
Downtown Disney
Anaheim, California 92802
(714) 502-9999
http://www.booksinc.net
Gobs of mystery/thriller/awards/book clubs/events

Martinez Books and Art Gallery
1200 N. Main St. Suite 100-D
Santa Ana, California 92701
(714) 973-7900
http://www.latinobooks.com/
Latino books

Acorn Naturalists
155 El Camino Real
Tustin, California 92705
(800) 422-8886
http://www.acornnaturalists.com
Science and nature books, mostly for kids, left field

Book Carnival
348 S. Tustin Street
Orange, California 92866
(714) 538-3210
http://annesbookcarnival.com/index.html
Mysteries and romantic suspense, events, signings, book club

The Bookman
840 N Tustin St
Orange, California 92867
(800) 538-0166
http://ebookman.com
Used, unique and out of print books

One Dollar Bookstore
8520 E Chapman Ave
Orange, California 92869
Used bookstore in a parking lot, all books are one dollar

Books Redux
18508 Yorba Linda Blvd
Yorba Linda, California 92886
(714) 970-2957

Los Angeles County

Long Beach

Apostrophe Books
4712 E. 2nd Street
Long Beach, California 90803
562-438-7950
http://www.apostrophebooks.net/
Books of all kinds, signing events

Shore Books
3064 E Broadway
Long Beach, California 90803-5814
(562) 433-9633
http://shorebookslb.com/
Website offline

Gatsby Books
5535 E. Spring St.
Long Beach, California 90808
(562) 208-5862
http://www.gatsbybooks.com
Lots of books and signings

San Pedro and Palo Verdes

Cabrillo Aquarium Gift Shop
3720 Stephen White Dr
San Pedro, California 90731
(310) 548-7562

William’s Book Store
443 West 6th Street
San Pedro, California 90731
(310) 832-3631
http://www.williamsbookstore.com
All kinds of books and signings

The Book Frog
550 Deep Valley Dr
Rolling Hills Estates, California 90274
310-265-2665
https://thebookfrog.mybooksandmore.com/
Lots of books but I don’t see any fiction

Compton, Bellflower, Norwalk

Books and Bits
11806 186th St
Artesia, California 90701
(562) 809-9110
Indian, Iranian, Pakistani

One Dollar Bookstore
4661 Silva St
Lakewood, California 90712
Used bookstore. All books are one dollar

A Castle of Books
4302 Atlantic Ave.
Long Beach, California 90807
(562) 448-ACOB (2262)
http://www.acastleofbooks.com/
Buy, trade, sell, used, rare, new. Currently looking for Art, Military, Transportation (Cars, Ships, Trains, Planes), and History of very specific subjects

Smiley’s Bookstore
20220 S. Avalon Blvd., Suite D
Carson, California 90746
(310) 324-8444

Manhattan and Redondo Beach

Mysterious Galaxy Redondo Beach
2810 Artesia Blvd.
Redondo Beach, California 90278
(310) 542-6000
http://www.mystgalaxy.com
Another branch of Mysterious Galaxy

Pages: A Bookstore
904 Manhattan Ave
Manhattan Beach, California 90266-5538
(310) 318-0900
http://www.pagesabookstore.com/
Author events galore

South Los Angeles

Classic One Herbs and Books
1425 W. Manchester Ave
Los Angeles, California 90047
Description says it’s a bookstore

Zahara’s Books and Things
900 N La Brea Ave
Inglewood, California 90312
(310) 330-1300
Books, magazines, etc.

Eso Won Books
4331 Degnan Blvd.
Los Angeles, California 90008
(323) 290-1048
http://www.esowonbookstore.com/
Looks to be all kinds of books.

Trojan Bookstores
840 Childs Way
Los Angeles, California 90089-2540
(213) 740-9036
http://www.uscbookstore.com
USC Bookstore

Santa Monica and Beverly Hills

Beyond Baroque Bookstore
681 Venice Blvd
Venice, California 90291
(310) 822-3006
http://beyondbaroque.org
Poetry-centric, bad link

Mystic Journey Bookstore
1319 Abbot Kinney Blvd
Venice, California 90291-3739
(310) 399-7070
http://www.mysticjourneybookstore.com/
Spiritual exploration

Small World Books
1407 Ocean Front Walk
Venice, California 90291-3605
(310) 399-2360
http://smallworld.indiebound.com
Fiction, mystery, science fiction and poetry

Barry R. Levin Science Fiction and Fantasy Literature
720 Santa Monica Blvd
Santa Monica, California 90401-2602
(310) 458-6111
http://www.raresf.com

Alias Books
1650 Sawtelle Blvd
Los Angeles, California 90025
310 473 4442
http://www.aliasbooks.com
Used books

CG Jung Bookstore
10349 W. Pico Blvd
Los Angeles, California 90064
310-556-1193 ext 228
http://www.junginla.org/bookstore
Entirely about the life of CG Jung

Diesel, a Bookstore, Brentwood
225 26th St.
Santa Monica, California 90402-2541
(310) 576-9960
http://www.dieselbookstore.com
Lots of author events, looks like all kinds of books

Village Books
1049 Swarthmore Ave
Pacific Palisades, California 90272
(310) 454-4063
http://palivillagebooks.com/
Link goes to a restaurant - whaaaa?

Central Los Angeles and Hollywood

Storyopolis
12348 Ventura Blvd
Studio City, California 91604
(310) 358-2500
Children’s books

Bodhi Tree Bookstore
8585 Melrose Ave
West Hollywood, California 90069-5105
(310) 659-4428
Dedicated to the growth of a peaceful world through personal transformation

Traveler’s Bookcase
8375 W. 3rd Street
Los Angeles, California 90048
(323) 655-0575
http://www.travelbooks.com
Looks almost exclusively travel books, I found one that looks like a mystery

LA County Museum of Art Bookshop
5905 Wilshire Blvd.
Los Angeles, California 90036-4504
(323) 857-6147
http://www.lacma.org

Dawson’s Bookshop
535 N Larchmont Blvd
Los Angeles, California 90004-1372
(323) 469-2186
http://www.dawsonbooks.com/
Antiquarian books

Chevalier’s Books
126 North Larchmont Boulevard
Los Angeles, California 90004-3705
(323) 465-1334
Adult fiction, art books, children’s books

Skylight Books
1818 North Vermont Avenue
Los Angeles, California 90027
(323) 660-1175
http://www.skylightbooks.com
General bookstore, events, etc.

Stories
1716 Sunset Blvd.
Los Angeles, California 90026
213-413-3733
http://www.storiesla.com
Cool little indie store, looks like they have it all

Aldine Books
1498 W Sunset Blvd # 2
Los Angeles, California 90026
(213) 482-0264‎
A “hidden treasure”

Kinokuniya Bookstore
123 Onizuka St #205
Los Angeles, California 90012
(213) 687-4480
http://www.kinokuniya.com
I can’t tell what this is

The Last Bookstore
453 S. Spring St.
Los Angeles, California 90013
(213) 488-0599
http://lastbookstorela.com
Looks like they have a lot of all kinds of books

Caravan Bookstore
550 South Grand Ave.
Los Angeles, California 90071
(213) 626-9944
“Cool little book nook”

Glendale and Pasadena

Mystery and Imagination
238 N. Brand Blvd.
Glendale, California 91203
(818) 545-0206
http://www.mysteryandimagination.com
Looks like a lot of mystery, sci-fi and horror

Book-em Mysteries
1118 Mission Street
South Pasadena, California 91030-3212
(818) 799-9600
http://www.bookem.com
Indie mystery bookstore

Distant Lands Travel Books and Outfitter
56 South Raymond Avenue
Pasadena, California 91105-1935
(626) 449-3220
Travel guides, etc. They have a lot of lectures about places

Apostrophe Books
340 E. Colorado Blvd
Pasadena, California 91101
(626) 744-9630

Cliff's Books
630 E Colorado Blvd
Pasadena, California 91101

Vroman's Bookstore
695 East Colorado Boulevard
Pasadena, California 91101
(626) 449-5320
http://www.vromansbookstore.com
Fabulous indie store

North Hollywood and Studio City

Books in the Belfry
5453 Satsuma Ave.
North Hollywood, California 91601
(818) 943-4695

Geographia Map and Travel Bookstore
4000 West Riverside Drive
Burbank, California 91505-4328
(818) 848-1414
Travel books








Wednesday, June 5, 2013

When the Deep Purple Falls, by E.A. Aymar



Our very own E.A. Aymar wants to make you all aware of a couple of releases he has coming up. His debut novel, entitled I'll Sleep When You're Dead (formerly Goodbye, Beautiful,) will be coming out this fall from Black Opal Books. But in the meantime, he is releasing a short prequel, entitled...

When the Deep Purple Falls

Please see the above video for an entertaining introduction to this work. You can also read more about it here, on E.A.'s website. 

***E.A. is currently holding a contest and a chance to win artwork.***

See the website for further details.

Friday, May 31, 2013

Write the Murder: Sunday Afternoon on the Island of the Grand-Jatte

It's awfully quiet around here. The last "Write the Murder" post sparked an awesome little burst of creativity from Murder Lab Members, so I think it's time for another. Mine is below.
Sunday Afternoon on the Island of the Grand-Jatte, by Georges Seurat
Veronique nonchalantly twirled her parasol as she surveyed the picnickers before her. They were all there. The Smith family, with their snotty, rude little boy, was just a few yards to her left. To her right were the Blot sisters, gossiping, no doubt.

"Sweetheart, there's my friend Marie," she said. "Would you mind watching the dogs for a moment while I go say hello?"

Beneath the chafing wire of her hoop skirt, the bomb was heavy, its weight pulling the lace of the corset that affixed it to Veronique's body. She handed the leashes to her husband and smiled at him gratefully before stepping away, glancing around her, looking for the perfect grassy spot to sit down.

Tuesday, May 28, 2013

Escape From Paris, by Carolyn Hart - A Review

Romantic suspense amid the chaos of a world at war. The year is 1940. As England braces for invasion and the German army overruns Europe, two American sisters in Paris risk their lives to save a downed British airman from Nazi arrest. Linda Rossiter and Eleanor Masson soon realize the price they may pay when they read this ominous public notice: "All persons harbouring English soldiers must deliver same to the nearest Kommandantur not later than 20 October 1940. Those persons who continue to harbour Englishmen after this date without having notified the authorities will be shot." On Christmas Eve, the Gestapo sets a trap, and death is only a step behind the two American women.

I received an ARC of Carolyn Hart's Escape From Paris from Seventh Street Books in exchange for my honest review. Admittedly, I was initially intrigued by the setting but was slightly turned off by the "romantic suspense" reference (just a personal matter of taste; I'm not a huge romance fan.) Having now read the novel, I can't say whether fans of romantic suspense would be disappointed. But I can say with confidence that I was more than a little pleasantly surprised.

The romantic aspect is certainly there, but in my opinion, it is a background element. In the foreground is the precarious position of two American women in Nazi-Occupied Paris. Through Linda Rossiter and Eleanor Masson, Hart brings to life the faces of World War II that rarely receive the same attention as those of persecuted Jews. Instead, we see the plights of the French, English and American non-Jews who are caught in the middle of the Nazi agenda. Unlike their Jewish friends and neighbors, these Parisians are given the choice to simply abide by the laws and restrictions imposed upon them by the Nazis and wait for a resolution to the conflict. This would certainly be their safest option, but their personal outrages and senses of moral obligation are powerful enough to overrule their fears. As the sisters increasingly entangle themselves into the Resistance movement against the Nazi regime, they find their own lives in even greater danger than those the Nazis are fighting to snuff out.

In addition to a collection of well-rounded characters, Hart reveals a Paris that sharply contrasts with the romantic City of Lights. The Paris of 1940 is a chilling landscape of ubiquitous swastikas and goose-stepping soldiers. Her citizens are poverty-stricken, oppressed and terrified. As Hart weaves the tale of the American sisters, she effectively incorporates very specific historical examples to bring this frightning alternate city to life.

Escape From Paris was originally released as a much shorter novel. In order to publish this work, Hart was required to cut out 40,000 words. With its re-release in June, we will see it for the first time as it was originally intended. As a lucky ARC reader in advance of publication, I can't imagine this novel so truncated, and am glad that the extended version was my first introduction to Carolyn Hart. Every single one of those 40,000 words, as well as the other 55,000, contributed to building the tension. I literally had knots in my stomach. This novel has made me a Carolyn Hart fan.





Wednesday, May 22, 2013

Revising Your Novel's First Draft

You've just typed, "The End." Your first draft is completed. Perhaps you've been creating this masterpiece for several years, one scene at a time in between your day job and family obligations. Or perhaps you've just banged out this entire novel during the month of November. Now what? Here I offer a few helpful tips for revising your first draft into something more polished.

1. Create Your Roadmap

If you did not create your first draft from an outline, now is the time. Your outline is a roadmap that will keep you on the right track as you move through the book. This is particularly important for mysteries and thrillers, which tend to have plots that are complicated enough to confuse even the author.

Write an outline of the entire book, chapter by chapter, as it is currently written (even if you intend to change everything.) You should be able to summarize each chapter in a single sentence or bullet point. You should also be able to detail each chapter in a single paragraph. If you're unable to do this for some of your chapters, you might have too much going on in those chapters. In a novel, there is plenty of time for each subplot to develop, so don't throw too much at the reader at one time, leaving him/her confused. You also don't want to give away too much at the beginning. Let themes have time to develop.

2. Plot Your Plots

If your outline above looks more like a mangled spider web than a roadmap, you might need to take a step back. Make a list of your subplots. Summarize each subplot as its own little mini-story in three paragraphs or less. There should not be more than about four or five main subplots in a novel. Most novels in the mystery and thriller genres have two or three.

Now go back to your outline. Flag places in the story where each subplot can be introduced and developed. Also flag places where subplots share a common theme. These are the places where they can potentially be woven together. A common pitfall of newer or less experienced authors is to create different subplots that never quite mesh. Make sure from the beginning that your subplots will eventually interweave.

3. Hone Your Acting Skills

Once you have established your subplots and outlined how to develop them, it is time to define and refine your characters. First, make a list of all of your major characters (including historical figures, ghosts, villains whose identity has yet to be discovered, etc.) Find spots in your outline to introduce and develop each of them. Try to introduce all of your major characters in the first third of the book. If you have more than about ten main characters, you might have too many and readers might have trouble keeping track of them. Ask yourself if all of them are necessary or if roles can be merged. On the other hand, if you have fewer than about five major characters, your story might be a bit thin and adding a subplot or two might be in order. Also make a list of minor characters. Decide who needs a name and who can simply be "the concierge" or "the limo driver." Decide if any of these minor characters will come up again.

For each character you decide to keep, make a short list of physical traits and personality traits. Does the character have an accent? A limp? What are his go-to words in dialog? As you develop scenes, keep these character traits consistent. If your character's mood changes halfway through a scene, something has to have triggered that change. If her English is poor in her first scene, she can't develop a sudden eloquence later.

4. Wrap it Up

In summarizing each of your subplots, you should have developed an understanding of how it will end.  You also need to decide where each of your characters will be at the end of the novel. If you are writing a mystery or thriller, some of your characters might wind up dead. Others might land in jail, find fame and fortune, or simply return to the mundane life they had before this whole thing began. When planning your first revision, it can be helpful to consider what will happen to each character before the end of the story and how each of their fates can play into the final scenes of the novel.

5. Revise and Repeat

You should now have an outline of your first draft story that is annotated with the places where each subplot and each character will be created, developed and interwoven. You should also have a firm understanding of how the story as a whole will reach a resolution in the end, and what will happen to each of your main characters. Are there "extra" parts in your outline at this point? They might not fit into the story. Consider cutting them now, rather than potentially following a tangent that leads away from your main plots. If you think an unaccounted for piece is just too good to cut, then reconsider the subplots you have established and decide if any of those should be replaced or refined.

Now comes the fun part. Go back to your first draft with your outline beside you and use the cut/paste functions on your computer ad nauseum until you have placed each chunk of your novel where it belongs. Fill in the missing components. Then re-read your whole masterpiece and revise again.

Do you tend to write from an outline, or just wing it?





Friday, May 17, 2013

Cover Reveal: The Vesuvius Isotope


In the ruins of Herculaneum lies the Villa dei Papiri, a sprawling palace once owned by the father-in-law of Julius Caesar. In the 79CE eruption of Mount Vesuvius, the villa and its extensive library were buried and perfectly preserved. Today, they have been partially excavated. The thousands of documents within the library are still legible.

A document unearthed from within the Villa dei Papiri has just been translated. The document describes an ancient remedy for metastatic cancer in women. It was authored by Julius Caesar's last lover, Queen Cleopatra VII. It is, in fact, the only written text that has ever been attributed to the highly educated, multilingual and scientifically-minded last ruler of Ptolemaic Egypt.

The two-thousand-year-old remedy described in the document is the only hope for thousands today.

When her Nobel Laureate husband is murdered, drug discovery biologist Katrina Stone can no longer ignore the secrecy that has increasingly pervaded his recent behavior. Her search leads first to another woman, and then to the two-thousand-year-old document. As Katrina races to solve her husband's murder, she is led from ancient Italy and Egypt into the modern-day conflict that her husband was killed for. And she learns that his death was only the beginning.

The temple on the front cover of The Vesuvius Isotope is the Temple of Isis at Aswan, Egypt. On the right hand side of the image is a relief of the goddess Isis herself. This goddess, the ancient Egyptian goddess of medicine, was adopted by Cleopatra when the queen publicly deemed herself "the New Isis" during her reign over Egypt.

The coin on the front cover is a typical, modern depiction of Cleopatra. But the coin on the back cover is the actual image of her. It is this coin that Cleopatra minted during her reign. It is this image that she chose to project for posterity.

Far from the sexy seductress of Hollywood, the queen was not, in fact, considered the least bit attractive by her own peers. How, then, did she so cleverly manipulate the two most powerful Romans in the world - first Julius Caesar, and then Mark Antony? The answer to this question lies in The Vesuvius Isotope.

I would like to thank Damonza's Awesome Book Covers for the Awesome Book Cover. You can now pre-order The Vesuvius Isotope using the "Buy Now" icon on the right hand side of this page. Please expect shipment approximately July 1.



Tuesday, May 14, 2013

Does Your Novel Put You in Danger?

I have just submitted The Vesuvius Isotope for formatting. While the novel is now officially in the hands of those who will put it into print, its actual publication has been beyond the point of no return for quite some time. Quite some time ago, when I pushed the novel across the line to that point of no return, I also pushed a thought into the back of my brain, where I feebly hoped it would remain.

Now, as The Vesuvius Isotope teeters on the brink of no-longer-private, that thought comes back to the surface. I am all too aware that this novel, and the one that will follow it, both have a very real potential to piss off some very real people pretty badly.

On the one hand, this is great. Controversy sells, right? But on the other hand, as the release date for The Vesuvius Isotope approaches, I realize I am also setting myself up for a possibility of life imitating art.

As this realization forced its way from the back of my brain toward the front, I found myself thinking that this is probably not an uncommon concern for authors of thrillers. We incorporate a great deal of realism into our stories, even bringing to light modern-day controversies that are very much ongoing. We write of terrorist organizations, government cover-ups and the mafia. We sometimes change names to protect the "innocent," but most of the time, we don't. Most of the time, we point an unapologetic finger directly at the real-life individual or organization that inspired the novel. And not everyone wants those controversies brought to light.

I tell myself that perhaps I am just being paranoid. Perhaps we authors of mysteries and thrillers harbor a particularly keen attraction to the "what ifs." Perhaps it is that attraction that leads us to write what we write in the first place. Perhaps there really is no threat to a novelist, after all. I tell myself this, and then to ease my own concerns, I quickly Google "author murdered." And I retrieve a wealth of evidence to the contrary. Whoops!

Here I pose the question: Does your novel put you in danger? Do you think that exposing a clandestine war, a secret society or a person's dark side ultimately exposes YOU, as the whistle-blower, to the wrath of the ones you exposed? Or do you think that once the cat is out of the bag, the threat is neutralized?

Tuesday, May 7, 2013

Fear of Beauty, by Susan Froetschel - a Review

In her latest novel, Fear of Beauty, Susan Froetschel juxtaposes the plight of an illiterate Afghani housewife trying to solve her son's murder with the mission of a nearby Army outpost to bolster the Afghanistan farming economy. The story is told from two very different perspectives, each weaving an independent subplot into the story. The first perspective is from Sofi, the uniquely curious mother of five who believes literacy will be the key to understanding what happened to her oldest son, Ali. The second comes from Joey, the Army Ranger in charge of security detail at the outpost.

Froetschel's layering of these two perspectives offers a rich insight into each of these characters and into the conflict that each of them becomes enmeshed in. Following Ali's murder, tensions are naturally high between the small Afghani village of Laashekoh and the American outpost. Confounding these tensions are a narcissistic agricultural specialist and the village's ubiquitous, heavy-handed "visitors" - a nomadic Taliban faction with a vested interest in Laashekoh's economy and people.

The character I became most enthralled with was Sofi, a woman torn between her expected role as an Afghani woman and her intractable desire to challenge the status quo. As she secretly struggles to understand the written word, Sofi soon learns that the conflict enveloping Laashekoh is much larger than Ali's death. Her circle of trust becomes smaller and smaller until Sofi has only her own intelligence to rely upon.

The significance of the novel's title is gradually revealed over the course of the story. It becomes most clear in the form of a powerful metaphor, developed through some of the book's most poignant scenes. The novel's weaknesses included a few credibility issues and a few minor editorial glitches. There were also several characters, some of whom were critical to the plot, whom I would have liked to have seen developed a bit better. Overall, the story was a well-paced, captivating mystery that offered very readable insight into some of the issues of modern Afghanistan. I would recommend this novel to any reader of murder mysteries as well as to anyone interested in women's rights, literacy and religion in the Middle East.

To read an interview with Susan Froetschel, click here.

To purchase a copy of Fear of Beauty, click here.

For additional titles by Seventh Street Books, visit the publisher's website.

Friday, May 3, 2013

How to Start an Author/Publisher Business in San Diego

It's official: I'm self-publishing. The Vesuvius Isotope will be published by my brand new sole proprietorship, Murder Lab Press, and the publishers who have shown interest in the manuscript have been notified. Since I have just gone through the trials of tribulations of starting this business, I want to share the ins and outs with my readers who might be considering a similar endeavor. This post is specific to San Diego, because that's where I live, but many of the steps I list here apply universally.

Step 1: Develop a Business Plan

This step is huge, and I expect to cover it in a different post or, more likely, multiple posts. So here, I will just say: it's in your interest not to go off half-cocked. Do your research and know your market. Then decide how best to utilize it. If you ever apply for a business loan, you will need to have a written plan.

Step 2: Choose Your Business Structure

A business exists as one of several entities. It can be a corporation, a limited liability company (LLC,) a limited partnership (LP,) a general partnership (GP,) a limited liability partnership (LLP,) or a sole proprietorship. Almost all author or self-publisher businesses will start as a sole proprietorship. This means that the business is owned and operated by a single individual who is fully responsible for all business transactions, taxes, and liabilities, and who is the sole recipient of business profits. If you start a business as a sole proprietorship and decide later to hire help, you can roll your existing business into a larger structure. For more information, click here.

Step 3: Establish Your Business Address(es)

First, you need a mailing address. I suggest setting this up before anything else, because the FBN and Seller's Permit (below) require this information. Many people just use their home addresses, even adding a suite number to make it look more official. Others are concerned about creepy stalkers and/or identity theft, and prefer to open a post office box. I opened a P.O. box with the U.S. postal service. The branch location I am using also allows me to use their physical address as part of their service. This is important, because many, many businesses and services do not accept P.O. boxes (FBN and Seller's Permit included.)

Step 4: Claim Your Name

If you are doing business as yourself, using your legal name, then you can skip some steps here. But you still might want to Google yourself and see if there is a good niche on the web for your name to represent YOU and not someone else with your name.

For example, I found several other people also named Kristen Elise. There is a model, a jewelry designer, and ... another author. To separate myself from these others, I kept the Ph.D. attached to my name on my official website: www.kristenelisephd.com. Evidently, I'm the only Kristen Elise with a Ph.D. If you Google, "Kristen Elise", you get a ton of people. But if you Google, "Kristen Elise Ph.D.," you get only me for several pages. So there's my niche.

If your name is John Smith, I imagine you'll have more trouble with this. And this is where DBA comes in handy. DBA, or "doing business as", is what they call it when you create a business named anything other than your own legal name.

If your business will be DBA, you need to file a Fictitious Business Name (FBN). "John Smith's Pizza" and "Jane Doe's Windshield Repair" do not require a FBN, because the legal last name of the sole owner is in the name of the business. "Murder Lab Press" and "John Smith and Sons" do require a FBN because in one case, the owner's name is omitted, and in the other, there are additional people listed in the name as part of the business. For more information on FBN filing, click here. You can also search the site at the link provided to see if your chosen business name is available.

Once you have selected a Fictitious Business Name, you need to register it. This can be done in person at any of San Diego's office locations, or by mail. This costs $42 in San Diego. As soon as you file the FBN, it must be published. The county has very specific requirements for this and will give you a list of approved newspapers it can be published in. It is critical that you publish it immediately, because it must be published once every week for four weeks and all four publications must be completed within 30 days of filing the FBN. So don't wait. The newspaper you choose will publish all four weeks, and then they will send a notice of the publication back to the county office.

Step 5: Get A Business Tax Certificate (License)

This can be done online through the City Treasurer. It costs $35 per year in San Diego and can be done here. Certain unincorporated areas of San Diego County are exempt. Future posts in this series will detail tax laws for authors, but to get your business initiated, getting a business tax certificate is sufficient.

Step 6: Get a Seller's Permit

Assuming you actually intend to sell some books, you need to obtain a seller's permit. This can also be done online, here. It's pretty straightforward, but should be a last step after everything above is completed.

So now that your business is set up, you're ready to sell your books. Stay tuned for a post detailing how to sell your books in person, online, and through your own website. 



Thursday, April 25, 2013

An Interview with Author Susan Froetschel


Author Susan Froetschel
I recently received a reviewer copy of Fear of Beauty from Seventh Street Books.  Set in modern rural Afghanistan, the novel could have been written by a seasoned U.S. soldier turned Afghani housewife and mother. But it wasn't. It was written by Susan Froetschel of Michigan. Susan's experience as an award-winning journalist is evident in her fiction; in Fear of Beauty, she immerses the reader in a story of human tragedy and tentative hope as real as the political conflict that surrounds it. Here I ask Susan how she does it.

Susan, you have enjoyed quite a prestigious writing career. From working for several popular New York magazines, to news reporting in Alaska, to studying at Harvard and teaching at Yale. By now, you must have the freedom to write almost anything you want. Do you still engage in reporting, or have novels taken over your life?

Novels have not taken over my life, though I did take one year off from YaleGlobal to write Fear of Beauty. I still write opinion essays and book reviews, most for YaleGlobal Online, in my work since 2005 as an assistant editor and later as a consultant. And I have many great memories of the rush-and-tumble of reporting for a daily newspaper in a small Alaskan town.

Tell us about one or two of the more memorable stories you have covered as a journalist. Do these experiences play into your novels? If so, how?

My reporting – the close observations of a small, tightknit community – is reflected in all the novels, whether it’s Sitka, Alaska, or a small village in Afghanistan. Even in small communities, non-leaders and non-experts often go ignored. My best stories emerged when I stopped and listened to ordinary people who had a hunch about corruption or a community need, and I could gave them a voice through reporting. In one case, the newspaper stopped the costly deployment of Alaska National Guard jets in distributing unneeded charitable food donations to Scandinavian countries. In another instance, a young man began a lonely task of restoring an old, hidden cemetery. Many thought the project was futile, but after a profile, he mobilized community support and won state recognition.  

Fear of Beauty is told from the first-person perspective of an illiterate Afghani woman in a farming village. How did you (of all people) write so credibly from this woman's point of view? Can you comment on the research that went into developing Sofi's character?

The research began years ago with my volunteer work as a literacy tutor, both with adults in Alaska and middle-school students in an urban setting. Most of these students were smart, capable, fully aware that they were vulnerable in unknown ways and yet terrified that their lack of basic reading and writing skills would be exposed in the workplace or classroom. Next, I’m a mother and my four books analyze the joys and conflicts of mother-son relationships. But to be honest, Kris, I found that the best research was going about daily routines, thinking deliberately about every modern item we enjoy and stripping such details from my writing.

The same question applies to Army Ranger Joey Pearson. Do you have a military background? If not, what did you do to get into Joey's head?

No military background at all – other than some non-wartime reporting on the Alaska National Guard and talking with relatives and friends who are veterans. I was shopping at the Ranger Surplus store in Bethesda, and my son pointed out a Ranger Handbook from July 1992. This compact training guide, 4 by 5.5 inches and about an inch thick, is terse and practical, and it’s the heart of Joey’s character just as the Koran is for Sofi’s husband.

And finally, the third main character: the setting. You write about Helmand Province, Afghanistan, as if you have been there. Have you? A Google search for "Laashekoh" gives me three pages of references to you and your novel - so I suspect that Laashekoh is a fictional village. Am I correct in my assumption? Are this village and its citizens based on a village you know?

I have not had the opportunity to travel to Afghanistan. The village is fictional, and the word “laashe koh” is ledge in Dari. I follow international news closely with my work – including many reports on Afghanistan. I spent one long day in Yale’s Sterling Memorial Library, paging through photography books on Afghanistan from the 1920s and 1930s, before the war with Russia, before the days of Taliban control. But I had to stop and remind myself that a lifelong resident of a village does not describe every detail – after living in a community for a while, we take our routines and everyday scenes for granted – until it changes or we must leave. And we could find characters like the villagers of Laashekoh in some small American farming communities.

I referenced Fear of Beauty in a blog post about Interweaving Subplots. There will also be a full review of this novel in a future blog post, so I won't dive too heavily into its plot here. Instead, I will merely ask Susan to comment on the non-fictional subject matter and controversies presented in the book. What might our readers not gather from reading it? What else would you like us to understand that might not be evident in a work of fiction?

The book is a product of my constant reading, writing and editing about modern globalization. All on this globe share many connections. Attempts to isolate ourselves from the mass of ideas swirling the globe in an ever-rapid pace is not easy. The worst ideas, ones that entail controlling others, are persistent. But the best ideas are penetrating, lasting and can’t be vanquished. In this era of globalization, it’s critical for people to be lifelong learners and think for themselves.

Last, what else would you like our readers to know about you? Are you currently writing another novel? Care to comment about it?

I have two books going. One is a sequel to Fear of Beauty. But I’m a very slow writer who likes an intricate plot!

I would like to call our readers' attention to your blog, at which you don your journalism hat and detail the many themes presented in Fear of Beauty: the plight of women in rural Afghanistan, the role of agriculture in rebuilding a war-torn nation, the interpretation and misinterpretation of Islamic law and the personal and political agendas that fit those interpretations. I encourage anyone interested in Middle Eastern politics to explore these pages. Susan, please also provide any additional website or contact info you'd like our readers to have.

YaleGlobal is a rich resource on globalization and my personal website is www.froetschel.com.

Tuesday, April 16, 2013

The Uncommon Veterinarian: An Interview with Elliott Garber, D.V.M.

Elliott and family in Sicily
Elliott Garber is an Army officer and veterinarian with a passion for globe-trotting, education, and - oh yeah - writing!  He graciously accepted my request for an interview as part of my "Ask the Expert" series, and will be featured on our "Find an Expert" page henceforth.  Here, I ask Elliott about his career, his interests, and how they can play into a good mystery or thriller. 

Elliott, tell us a little bit about yourself.  You're not the average puppy/kitty vet, are you?

I actually do love puppies and kittens and see a fair number of them in my current job! I'm an active duty Army veterinarian currently assigned to a little naval base in Sicily, so along with all these cute military family pets, I also get to provide full-service medical and surgical care to our military working dogs. I'm involved in public health campaigns, food safety investigations, and humanitarian missions involving agriculture and animal health.

My tour in Italy and my commitment to the military will end in about a year, so I'm currently trying to decide if I will stay in the Army for another assignment or transition to something else. If I can swing one of my top Army job choices as a vet with the Special Forces or with the Navy's marine mammal program I will probably stay in, but there are also some cool opportunities with the Centers for Disease Control and other organizations working internationally.

Tell us a little bit about the focus of your website.

The tagline of my website is The Uncommon Veterinarian. I started the site about six months ago with several purposes in mind. First, I wanted to provide a genuine resource for aspiring and current veterinarians who are interested in learning more about less traditional career options within the broad field of veterinary medicine. Second, I wanted to begin to develop a community of interested and like-minded people who might one day be early supporters of my own published writing!

On your website, you make the statement: "I want to remind you of and expose you to all the other possibilities within the diverse field of veterinary medicine."  Do tell!  Examples, please?

Sure! I've been fortunate to have a number of unique and exciting experiences all over the world. My education and work have taken me to South Africa to work with their equivalent of the FBI in tracking down rhino poachers, to Haiti to investigate an outbreak of a new infectious disease devastating the island's pig population, and to Egypt for a yearlong deployment during their revolution a couple of years ago.

Other veterinarians work with Army Special Forces and Navy Seals, the CIA, and the FBI. I have several friends who are vets with the CDC's Epidemic Intelligence Service, and they get to fly around the world investigating new outbreaks of Ebola virus, avian influenza, and whatever new scary infectious disease might show up tomorrow. There are many vets working across the globe to help solve problems of public health and economic development. Then there are veterinarians who have become best-selling authors (like James Rollins), congressmen and senators, and astronauts.

I asked the previous question to set you up for this one: How can and do your experiences as a vet play into your writing?  What have you observed that makes good material for a mystery or thriller?

My job as a veterinarian often puts me right in the middle of real-life thriller situations. Imagine pulling the shiny round from a high-powered rifle out of a dead rhino's lung, and learning from the heavily armed law enforcement officers accompanying you in the South African bush that it probably came from a Thai mafia crime ring that they've been tracking for years. Picture yourself stuck in a taxi in Cairo as crowds of angry protesters close in on you from all directions, or conducting field research at a marsh in Lebanon when a group of armed men appear out of the reeds.

I happen to be privy to the knowledge that you're working on a first novel, and have completed about 20,000 words.  What would you like to tell us about this fledgeling work?

I'm honored that you would deign to recognize my early attempts to join the thriller-writing community! I do, of course, have a nice one-sentence summary ready to go for the New York Times bestseller list:
The appearance of an unknown virus in war-torn central Africa leads an American veterinarian into the center of an international power play that is spiraling out of control.
What do you think? Instant success?? Here's hoping. I also have a couple of working titles: A World Unleashed or The Virunga Sequence. The former is too broad, and the latter too narrow, so I'm hoping I'll come up with something in between. My goal is to finish a good draft by the time I move from Sicily in the summer of 2014. I know, that's probably more time than I really need, but with two kids under two and a full-time job it might be the best I can do.

The story features a former Special Forces veterinarian who is now working on his PhD while studying diseases of the endangered mountain gorillas of Rwanda and the Congo. He discovers a group of dead gorillas that appear to have died from a pox-like disease, and the story jumps into action with Joseph Kony and the Lord's Resistance Army, Iran's nuclear ambitions, and even the President of the United States all playing roles. Wish me luck!

Far from strictly a nerdy scientist (takes one to know one), you have also spent some time studying Spanish and religious studies.  Care to comment on your interests and activities in these and other fields outside of veterinary medicine?

I do love languages and along with the Spanish have enjoyed picking up basic conversational Portuguese, Arabic, Italian, Tamil, French, and Hebrew. I'm an avid reader, of course (connect with me on Goodreads!), and I'm also an amateur birder with over 1000 species on my life list.

What else would you like our readers to know about you?

I would love to connect with other actual or aspiring authors to share stories and expertise. As a veterinarian who also has a masters degree in public health, I'm happy to provide insights into anything related to animals, medicine, or infectious diseases. Now that I've been an active duty Army officer for almost four years, I also find myself noticing military errors in many of the novels I read. I would be honored to help others in this community avoid those errors in their own manuscripts!

Please provide any and all contact information you would like our readers to have.

The best place to find me is at my digital home. I also share more frequent updates on Facebook and Twitter. Finally, you can find me on Goodreads to see what I'm reading and share recommendations!